Literary analysis of the symposium by plato

Literary form[ edit ] The Symposium is considered a dialogue — a form used by Plato in more than thirty works — but in fact it is predominantly a series of essay-like speeches from differing points of view.

Literary analysis of the symposium by plato

We saw that risk and tail risk are mathematically separate objects, conflated by the IYI intellectual yet idiot crowd. Two people can be using the same word, meaning different things, yet continue the conversation, which is fine for coffee, but not when making decisions, particularly policy decisions affecting others.

But we also have had many pronouncements by idiots using labels.

Introduction to Modern Literary Theory

People rarely mean the same thing when they say "religion", nor do they realize that they don't mean the same thing.

For early Jews and Muslims, religion was law. Din means law in Hebrew and religion in Arabic. For early Jews, religion was also tribal; for early Muslims, it was universal.

For the Romans, religion was social events, rituals, and festivals —the word religio was opposition to superstitio, and while present in the Roman zeitgeist had no equivalent concept in the Greek-Byzantine East. The difference is marked in that Christian Aramaic uses a different word: Neither Islam nor Judaism have a marked separation between holy and profane.

Literary analysis of the symposium by plato

And of course Christianity moved away from the solely-spiritual domain to embrace the ceremonial and ritualistic, integrating much of the pagan rites of the Levant and Asia Minor. For Jews today, religion became ethnocultural, without the law --and for many, a nation.

For Orthodox and Catholic Christians religion is aesthetics, pomp and rituals. For Protestants, religion is belief with no aesthetics, pomp or law. So when Hindu talk about the Hindu "religion" they don't mean the same thing to a Pakistani as it would to a Hindu, and certainly something different for a Persian.

When the nation-state idea came about, things got more, much more complicated. When an Arab now says "Jew" he largely means something about a creed; to Arabs, a converted Jew is no longer a Jew.

But for a Jew, a Jew is someone whose mother is a Jew. But it somewhat merged into nation-state and now means a nation. In Serbia-Croatia and Lebanon, religion means something at times of peace, and something quite different at times of war. Same for the gnostics Druids, Druze, Mandeans, Alawis.

As we saw with the minority rule, the intolerant will run over the tolerant; cancer requires being stopped before it becomes metastatic. Some beliefs are largely decorativesome are functional they help in survival ; others are literal.

And to revert to our metastatic Salafi problem: You may be able to get all of it from solar panels the cost of which is getting cheaper and cheapterbut would get most of it during a 5h window.

Say you need to store for hours and the cost of storage is prohibitive: But the way to calculate the effectiveness in cost savings is in taking the difference from the upper bound, not raw costs. And unlike other sources there is strong optionality: Most people doing static analyses fail to get such convexity.

We can expect serious, serious acceleration in use. Likewise I am against interventionism on the part of government: Words cannot convey the nonlinearity of the statement.

Am I "for" or "against" intervention? Singapore and China have similar government, but works in the small better than in the large.

Dating, editing, translation

So It also happens that the discussion about government misses a dimension. A municipality is a goverment; a top-down centralized system is one as well. Should we have no municipalities or just no central government?New Criticism. A literary movement that started in the late s and s and originated in reaction to traditional criticism that new critics saw as largely concerned with matters extraneous to the text, e.g., with the biography or psychology of the author or the work's relationship to literary history.

Symposium is perhaps Plato’s masterpiece as a work of art, though other dialogues are of greater philosophical import. Its great range, from discussions of physical love to an almost mystical vision of eternal, absolute beauty, makes it both art and philosophy.

Plato's Symposium is a dialogue that uses a comic setting of a dinner party to introduce a serious discussion of the question of love. It first should be noted that the prototypical model of love. This webpage is for Dr. Wheeler's literature students, and it offers introductory survey information concerning the literature of classical China, classical Rome, classical Greece, the Bible as Literature, medieval literature, Renaissance literature, and genre studies. History of African Philosophy. This article traces the history of systematic African philosophy from the early s to date. In Plato’s Theaetetus, Socrates suggests that philosophy begins with attheheels.comtle agreed.

Opacity: What We Do Not See. A Philosophical Notebook, by Nassim Nicholas Taleb. The mathematical version is here.. Non philosophorum sed philosophiae historiae.

155 In Arabic, "Jew" Means Something Else than in Western Languages

Richard Fariña: Been Down So Long It Looks Like Up To Me New York: Random House, April 28, Click on covers for larger images and more info. Click here for reviews and literary criticism. "I been down so long, seem like up to me.

The setting of Plato's dialog. A friend [Jowett's translation has "a companion"] asks Socrates if he has "just been meeting some wise man", to which Socrates replies, "Say rather the wisest man now living, if you agree that that description fits Protagoras" of Abdera (c-d).

The Symposium is one of the foundational documents of Western culture and arguably the most profound analysis and celebration of love in the history of attheheels.com is also the most lavishly literary of Plato's dialogues--a virtuoso prose performance in which the author, like a playful maestro, shows off an entire repertoire of characters, ideas, contrasting viewpoints, and iridescent styles.

Dennis Rawlins: Contributions